Olivia De Bearadinis (suo il ©) la dipinge così, ma l'originale è sotto.
Facciamo marcia indietro.
"La foto, tratta dal film The Notorious Bettie Page la ritrae davvero molti anni fa, perché adesso questa leggenda della liberazione sessuale statunitense, seconda modella di Playboy (Playmate) dopo Marilyn Monroe, ha 85 anni (eh, già).
Noi all'epoca, per usare un'espressione di Osvaldo Cavandoli, mettevamo le mutande alle zanzare."
Questo scrivevo qualche anno fa per ricordare l'eroina scomparsa.
Adesso è solo il tempo di ricordare Betty (o Bettie, affettuosamente) e quel che ci ha dato.
Per amore di cronaca, continuo a riportare la vecchia notizia:
Bettie, che ha ispirato legioni di fumettisti (fra cui il nostro Roberto Baldazzini) e molte pubblicazioni più o meno amatoriali (e forse l'intero corpus della fiorentina Glittering Images) è purtroppo in coma.
"La situazione è grave", dice un'agenzia che ho rivcevuto, E così prosegue: "Albeit years after her new life in Christianity, Page helped rock the 60s into a sexual revolution with her classic pin-up bikini and lingerie photos.
(...) Her more scandalous photos were censored after Congressional Committee hearings.
Il sito di Bettie informa costantemente i suoi milioni di fans sullo stato di salute della "divina". Ecco le ultime note: "Monday Dec. 8th 12 noon PST statement from her representative:
Bettie Page remains hospitalized in the Los Angeles area in critical condition as a result of a heart attack last week. Bettie is a devout Christian. She knows that she has many fans around the world and she appreciates their prayers. We will update her condition as it change."
A suo tempo, in ricordo di Betty, il bravissimo Pino Manunta mi ha inviato la bellissima illustrazione sotto, con questo messaggio: "ho pensato di mandarti un mio personale omaggio, che custodivo da tempo, alla donna che mi ha fatto sognare…. Ciao.
Ancora, un paio di omaggi (disegnati a suo tempo) di Dave Stevens, volato anche lui tra i balloons dell'Empireo nel 2008.
Poi, questo obit, di oggi, rivela una serie di noizie su Betty che forse ignoravano tutti, a parte i suoi amici più stretti. Compresi due matrimoni finiti male, una lotta contro l'indigenza e la malattia mentale.
Ne copio una parte.
But in 1957, at the height of her fame, she disappeared, and for three decades her private life — two failed marriages, a fight against poverty and mental illness, resurrection as a born-again Christian, years of seclusion in Southern California — was a mystery to all but a few close friends.
Then in the late 1980s
and early ’90s, she was rediscovered and a Bettie Page renaissance began. David Stevens, creator of the comic-book and later movie character the Rocketeer, immortalized her as the Rocketeer’s girlfriend. Fashion designers revived her look. Uma Thurman, in bangs, reincarnated Bettie in Quentin Tarantino’s Pulp Fiction, and Demi Moore, Madonna and others appeared in Page-like photos.
There were Bettie Page playing cards, lunch boxes, action figures, T-shirts and beach towels. Her saucy images went up in nightclubs. Bettie Page fan clubs sprang up. Look-alike contests, featuring leather-and-lace and kitten-with-a-whip Betties, were organized. Hundreds of Web sites appeared, including her own, which had 588 million hits in five years, CMG Worldwide said in 2006.
Biographies were published, including her authorized version, Bettie Page: The Life of a Pin-Up Legend, (General Publishing Group) which appeared in 1996. It was written by Karen Essex and James L. Swanson.
A movie (il cui trailer è sopra), The Notorious Bettie Page, starring Gretchen Mol as Bettie and directed by Mary Harron for Picturehouse and HBO Films, was released in 2006, adapted from The Real Bettie Page, by Richard Foster.
Bettie May Page was born in Jackson, Tenn., the eldest girl of Roy and Edna Page’s six children. The father, an auto mechanic, molested all three of his daughters, Ms. Page said years later, and was divorced by his wife when Bettie was 10. She and some of her siblings were placed for a time in an orphanage. She attended high school in Nashville, and was almost a straight-A student, graduating second in her class.
She graduated from Peabody College, a part of Vanderbilt University in Nashville, but a teaching career was brief. “I couldn’t control my students, especially the boys,” she said. She tried secretarial work, married Billy Neal in 1943 and moved to San Francisco, where she modeled fur coats for a few years. She divorced Mr. Neal in 1947, moved to New York and enrolled in acting classes.
She had a few stage and television appearances, but it was a chance meeting that changed her life. On the beach at Coney Island in 1950, she met Jerry Tibbs, a police officer and photographer, who assembled her first pinup portfolio.
By 1951, the brother-sister photographers Irving and Paula Klaw, who ran a mail-order business in cheesecake, were promoting the Bettie Page image with spike heels and whips, while Bunny Yeager’s pictures featured her in jungle shots, with and without leopards skins.
Her pictures were ogled in Wink, Eyeful, Titter, Beauty Parade and other magazines, and in leather-fetish 8- and 16-millimeter films.
In 1955, she received a summons from a Senate committee headed by Senator Kefauver, a Tennessee Democrat, that was investigating pornography. She was never compelled to testify, but the uproar and other pressures drove her to quit modeling two years later. She moved to Florida. Subsequent marriages to Armond Walterson and Harry Lear ended in divorce, and there were no children. She moved to California in 1978.
For years Ms. Page lived on Social Security benefits. After a nervous breakdown, she was arrested for an attack on a landlady, but was found not guilty by reason of insanity and sent to a California mental institution. She emerged years later as a born-again Christian, immersing herself in Bible studies and serving as an adviser to the Billy Graham Crusade.
In recent years, she had lived in Southern California on the proceeds of her revival. Occasionally, she gave interviews in her gentle Southern drawl, but largely stayed out of the public eye — and steadfastly refused to be photographed.
“I want to be remembered as I was when I was young and in my golden times,” she told The Los Angeles Times in 2006. “I want to be remembered as a woman who changed people’s perspectives concerning nudity in its natural form.”
Grazie a Robert D. McFadden del New York Times per le preziose informazioni, che forse molti fans di Bettie avrebbero preferito ignorare, ricordandola, appunto, come diceva lei, menchetrentenne.
Sopra, il video con la sua ultima intervista, da vegliarda.
TAGS: ARMOND WALTERSON, BUNNY YEAGER, DAVE STEVENS, DEMI MOORE, ELISA POGGESE, FILM, FOTO, GIUNCHIGLIA, GRETCHEN MOL, HARRY LEAR. BETTIE PAGE, HBO, HBO FILMS, IRVING & PAULA KLAW, JAMES L. SWANSON, JERRY TIBBS, KAREN ESSEX, MADONNA, MARY HARRON, MODELLA, MOVIE, OLIVIA DE BERARDINIS, OMAGGIO, PHOTO, PICTURE HOUSE, PICTUREHOUSE, PINO MANUNTA, PLAYBOY, PLAYMATE, RICHARD FOSTER, RIVOLUZIONE SESSUALE, ROBERT D. McFADDEN, ROBERTO BALDAZZINI, ROCKETEER, THE NEW YORK TIMES, THE NOTORIOUS BETTIE PAGE, TRAILER, UMA THURMAN